Should i trader binary option reviews23 comments
Forex broker trading currency exchange rate
We are now allowed to put the new TD in the catalog. We also know now the price so i you got this as first let me know. I will put a credit in your account. And this week I will be in the hospital for some surgery.
This means that it might take a bit longer to process orders but Monique will be there to handle all affairs. I should be back by the end of the week. We had to move our main stock to a new location. And this place is what smaller then the last. So we are offering for a limited amount of time a very special price on a lot of Groove Unlimited titles.
Check the list to complete your collection or to try out a lot of new musicians!! And to make it even more attractive! Mind you this is only available from Groove itself!! Here is the list and enjoy the music. Thanks for your time!! E-News is made by Ron Boots. Thanks to all who contribute news. You can find Dreamscape here.
If there is an artist who rises to the rank of the new ambassadors of retro Berlin School, this has to be Javi Canovas. About 10 years and a dozen albums farther, the Spanish synthesist leaves the lands of the anonymity to shine in the country of the Dutch label Groove. Faithful to its trademark, Groove, with its Manitou in head Ron Boots, excels at the art to reshape the borders of vintage Berlin School.
And those who follow the career of Javi Canovas know how much the synth wizard of the Canary Islands likes the heavy movements and the somber Gothic ambiences of the trio Froese, Franke and Baumann as well as the flights of ether of Neuronium. Thus the union between Javi and Groove had to only give brilliant results.
Without surprises but very effective. The moods are psychotronics with these organic synth lines which float such as clouds deriving in a radioactive zone. The rhythm becomes more precise but remains charmingly incoherent. Skipping like a cat on a boiling groundwater, it bursts here and there with touches sequenced keys to the jolts as unexpected as very customary, while that a soft flute caresses these jumps which aim to be more and more violent.
Quietly, "After Midnight" becomes as heavy as dark and stays as much minimalist than violent with sequences to the chaotic musical cabrioles which are splashed by fluty beams.
After a more celestial intro, an introduction which reminds me the flights of ether from Neuronium, "Coverage" explores the infinite rhythms of the crisscrossed movements of sequences. Rhythms which rise and come down, go and come in a torrent of sequences which compares with "After Midnight" but with more nervous movements and less Gothic ambiences.
It's doubtless the track which is closer of a fusion of Tangerine Dream's two eras. This radioactive intro evaporates with floating, leaving a very crystal clear atmosphere for a delicate ballet of sequences which dance furtively with chords of an electric piano in a harmonious duel which is reminiscent of the vibes of Redshift. The rhythm is heavy.
Trembling with its resonant sequences, it sneaks its way along a resounding vibe in order to eventually fly away with crisscrossed rhythmic caresses of which the deep still movements cut out the delicate harmonies of a solitary piano and an enchanted flute. The rhythm which pops out is wilder on the other hand with a pattern of sequences which flutter violently, intertwining their deep lines of static rhythms into some oozy ochred clouds a nd some fragments of solos from a synth more inclined to forge atmospheres than to draw solos.
Poetics, the rhythm defines itself a little more as the title shells its seconds in beautiful Mellotron clouds to offer a movement of sequences where the ions agglutinate and dance like a trail of marbles stuck in a bowl.
That reminds me of the very melancholic moods of a more contemporary Bernd Kistenmacher. This is very beautiful and that concludes an album which makes admirably the link between vintage and contemporary Berlin School with the musical signature so stylized of Javi Canovas. Undoubtedly one of the beautiful surprises in Sylvain Lupari June 9th, I liked these hypnotic rhythms which skipped delicately and so soberly in harmonies tinted of mist and with some rather creative, otherwise very catchy, solos of a synth torn between two eras.
This second opus of E-Tiefengrund is molded in the same mold. The inspiration goes back to a journey that Silvie von Tiefengrund and Mick von Tiefengrund made in June when they crossed the mining city abandoned of Pier. Fascinated by the environment, they decided to stop there, to take photos and shoot some clips. By pacing up and down the deserted streets where windows and doors drew sadnesses, they scented a fine smell of jasmine floating in the air.
And like in Voltage Sessions, "The Jasmine and the Beast" offers a very good fusion between the new and vintage Berlin School where some finely jerked rhythms savored the harmonies of a synth to the singings of psychedelic birds. The introduction, as well as its structure as rhythmic as ambiosonic, brings us back inevitably to Power Station with a rhythm which skips awkwardly in an organic universe.
Pulsations lost in hollow breaths and juvenile harmonies whistled by a charming synth settle a psychotronic mood ideal to introduce an onset of uncertain rhythm.
A little as a kind of cha-cha but with jerky steps. Waterlogged pulsations, Teutonic percussions, organic reverberations and line of sequences with very discreet kicks furnish the rhythmic pattern of "The Jasmine and the Beast" which spreads its 21 minutes under the caresses of a synth and its solos as much melodious as its airs braided in imagination. The 2nd half offers a poetry written in the shade of some very harmonious sequences which are so abundantly embraced by synth solos to coiled forms and to vampiric shadows.
And a little as in Voltage Sessions, we cannot like. The rhythmic pattern is always very minimalist with sequences in the almost organic tones which skip as a static troop in the jingles of sober robotics percussions which marinate with sound gases. The synth is drawing paradoxical moods where lines of choirs are floating with their somber secret harmonies, where pads of mist spread celestial ambiences and where nasal solos roam with their singings twisted in the fear of being aired. The only drawback is this too hasty cut which ends this rather meditative track.
Let's say that awakes quite hastily! It's a long track where sequences to the harmonies near the young innocence forge a fascinating oblique carousel. We float between two spheres with this hypnotic circular movement of which the hoops embrace an almost stroboscopic shape. And as everything around this second album from E-Tiefengrund, the synth shows a very progressive musicality with solos, harmonies and ambiences which are at the diapasons of confrontation.
The sequences begin their rumbling around the 8th minute. We hear growls here and there, which rage on a whole rather harmonious pattern, bite the ambiences while that vintage twisted solos swirl like the guards of the revolt. And this rhythm seemingly very docile is evolving subtly in the aggressive steps of its sequences. It becomes more aggressive, but always remains so still, while the synths are drawing figures always very near the psychedelic scents of the golde n years of the Berlin School.
We liked Voltage Sessions? We cannot deny the very narrow link between these first two albums of E-Tiefengrund. The rhythms may sound so sober, so innocent by moments, that they always remain so attractive. The tones and movements of sequences are also magnetizing than on Voltage Sessions while the synths are painting figures of ambiences, harmonies and solos which always color this attractive border between the New Berlin School and the vintage one.
A border which seems to be the privilege of a duo extremely accurate in its minimalist approach. Effective and very attractive, we are where the scents of the old psychedelic Berlin School are floating all over the Teutonic rhythms of the New Berlin School. What could we ask for more? Sylvain Lupari June 13th, This is the perfect mix between Jarre and Berlin School Live by 2 great musicians.
Made for the silent moments in ones life.. Signs is an ambient album, without sequences!!!. Great musical themes, rhythmic, with 10 minutes additional music.. Ambient space by Simon lomax the man behind Maitreya.. Project and this is their 2nd Studio Album.
Electronic Rock full of Sequences, Drums and Guitar!!. A real treat for the ears.. Very nice ambient music. NL A free service for customers. Log-in for your order history, shipping dates, concert tickets and more.